



Meredith Colby
Your Brain Sings Before You Do
Singing is an inside job.
It doesn’t need an authority figure to tell you what’s correct.
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It needs you to know your voice. To own it. To love it.
Your singing is about you.
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In my work, and through my books, I guide singers to a new relationship with their voice. A relationship built on communication and trust.
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You’ll shake off all the ideas about what defines “good” singing to find your own free, authentic voice. Because there is no right or wrong.
Instead, does it work for you? Are you expressing music in a way that fulfills you?
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Using neuroscience and physiology, along with educational science and psychology, NeuroVocal Method® introduces a neurodidactic approach to singing.
Within all that science, the heart of the artist is nurtured. Their singing is set free.
You'll alter your approach to growing your singing
from
tricks, techniques, and certain sounds that someone else thinks will turn into “good singing,”
to
using your own internal sensations to understand your voice, and sing your song in your own way.








Hi! I'm Meredith...
...musician, innovator, author, obsessive learner and creative dissenter.
For over 30 years, my work as a vocal coach has focused on guiding singers to their most responsive voice – a voice that has range, stamina, and volume. A voice that expresses every little thing the singer feels in the moment. And feels divine.
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My work training voice teachers and coaches integrates their existing knowledge, experience, and love for their clients with neurodidactics – helping them understand how brains learn. NeuroVocal training makes their work easier and more collaborative, and singing more joyful.

Featured:











From my YouTube channel
Your Sixth Sense in Singing:
What It Is & How To Use It
Registration and Blending
in Popular Styles
Artistic Agency: Help Singers Find It, Own It, Keep It
My Vocal Coaching Mission
To help singers discover what their voices can do and develop the skills to make the sounds they want, drawing on neuroscience and physiology while keeping their own musical instincts and intentions at the center.






